Fig. 1: Unidentified image: an example of the ‘bare-shoulder pose’ and how women’s portraits exude abstract notions of sexuality and ‘heat’ (John Berger, Ways of Seeing, 1973).
Fig. 16: Cover of Guru Tegh Bahadur: Hind Di Chadar. Published by Guru Tegh Bahadur Educational and Charitable Trust, Gurgaon, c. 2011. Photograph: author.
Fig. 11: Bhai Mani Singh. Artist Kirpal Singh, 1957. Oil painting. Collection: Central Sikh Museum, Amritsar. This painting is much reproduced, including on the book cover shown in Fig. 10.
Fig. 06: Guru Tegh Bahadur’s martyrdom. Artist Sri Ram, Phulwari, November–December 1934. Collection: Panjab Digital Library, Chandigarh.
Fig. 01: Introductory panel at the entrance of Bhai Mati Das Museum, Sis Ganj Gurdwara, Delhi. Photograph: author.
Fig.01: "Tamam ahle watan ko baqrid ki mubarakbad. Zamzam minar (Greetings of Id-al Azha to all citizens of India. Zamzam minaret) - R.C.C. Prefabricated strong minarets. They save time and money, and are beautiful. Hyderganj Chauraha, Lucknow." Advertisement that appeared on 30th November 2009, in the Urdu newspaper Rashtriya Sahara, published from NOIDA/Delhi.
Fig. 13. Actress Waheeda Rehman being admired in a qawwali in Chaudhvin ka Chand, director: Guru Dutt, 1960. (Video clip hosted on youtube for educational purposes only - no commercial use)
Fig. 20. Raghav realizes he has killed Simmy. A screenshot. Raman Raghav 2.0. Dir. Anurag Kashyap, Phantom Films, Reliance Entertainment, DVD, 2016.
Fig. 14. A poster of Raman Raghav 2.0. Source: ‘Anurag Kashyap’s Raman Raghav 2.0 Teaser Poster’, The Hindu, 25 April 2016, https://thehindu.com/entertainment/anurag-kashyaps-raman-raghav-20-teaser-poster/article8519105.ece
Fig. 08. Paro visits Dev in Delhi. A screenshot. Dev D. Dir. Anurag Kashyap, Anurag Kashyap Films, UTV Motion Pictures, UTV Spotboy, Moser Baer Entertainment, DVD, 2009.
Fig. 19. Raghav and Simmy fight after he brings Ankita to their apartment. A screenshot. Raman Raghav 2.0. Dir. Anurag Kashyap, Phantom Films, Reliance Entertainment, DVD, 2016.
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